Going back to where we left off, sometime round September last year we find The Ugly Kids doing what we do best. If you can remember that far back, Lionel Messi came to Brick Lane for an Adidas campaign, promoting his new football boots. Yes. We know. Lionel Messi… in Brick Lane. Of all places. Check the video if you don’t believe me.
On call for artwork for adidas, was yours truly The Ugly Kids Club. This. Is. How. We. Do….
The ‘Eden’s Garden’ exhibition has finished its run. But its still growing.
Me and Om were invited to the Stride offices in the middle of the country to decorate their reception. They built me a scaffolding thingy… so my Ladder Game is well and truly going up (ha!), fed us pizza and bought us beer. Thank you Stride Creative.
Montana Black is the shit… Beltons are old school. 94s are bluergh.
My very detailed sketch/ shopping list of paint
A couple of words from Malcolm the creative director there…
< P>Bored with a 5 metre x 5 metre plain wall in reception, we set upon a brainstorming session with an open brief of anything is possible!! It wasn’t long before Mal our creative director hit on the idea of a massive graffiti. Four weeks later and hours of searching the underground world of graffiti artists, Stride Creative found East London artists/designers Mister Batlow and Amar Stewart.
The guys have developed a unique style, using vibrant colours, combining black and white imagery. It is a combination that has already earned them a reputation as ones to watch.
The piece that they commissioned for us, used a blend of both their talents, implementing stunning black and white portraits, surrounded by eye catching, swirling and vibrant colours. The centerpiece is a clever use of symbolic imagery associated with both city and country landscapes, encapsulating our link to the South East and London.
We probably have the largest indoor wall art in any reception area!!
Went down to the Tate on the weekend to peep what they have down there; Charlie Dark had put together an epic event with talks, storytelling, a barber shop in the middle of the Tate, the fat one from Ace and Vis, Fatsarazzi, Insa’s shit shoes…
My camera phone pictures are wack so your gona have to make do with this image i stole from Insa
Check out the details here: Click, also wacth out for our bredrin Robin Bharaj somehwere in that mix! They got a bunch of other good stuff lined up: GoldieLocks, Tinie Tempah, Wah Nails… the list goes on!
I f*in love time lapse. I f*in love time lapse with random music behind it. I love Risks letters. Aint got much love for Tribal but what can you do… check out my mans spinning cap holder and the stacks and stacks of paint cans… its also great how theres a kid (no peado) popping up but yet Risk is doing a massive piece with titties in it.
Im sure many of you have seen Banksy’s latest piece. I can’t really put it better than Revok did so here is what he says on his dot com…
Anybody who has ever done graffiti quickly learns to appreciate the value of a “LANDMARK” -that is, the struggle to get your work to last anywhere in the street. Here in LA if you can get something to run for more than a month it is a achievement worthy of celebration. In London it is possibly more so since the buff is vigilant and very well-funded. One of the “Golden rules” in graffiti is to respect your elders; foremost by not going over them… Particularly in the extremely rare scenario where something has lasted nearly 3 decades(the graffiti equivalent to a UFO sighting) -I would assume Banksy would be aware of this rule, and respect it considering his roots lie in traditional graffiti… Apparently not.
Banksy here went over a “ROBBO” piece, Robbo was a pioneer of london graffiti in the mid-80’s and he painted this piece in the Regents canal in Camden in 1985. Somehow this piece had managed to stay up all of these last 25 years… That was until Banksy decided to go over it.
The original wall by Robbo painted in 1985…
Banksy edition…
Robbo edition 2009…
It makes it worse when i realise that i was born in 85. So that peice was as old if not older than me. Bomb ’sceptical’ Foley has pointed out that Banksy probs did it to get it on graf blogs and what not. Any publicity is good publicity for Banksy. Does that work with clothing?